BOOK CHAPTERS & EXHIBITION CATALOGUES
Thijs Dekeukeleire, Henk de Smaele & Marjan Sterckx (eds.), Male Bonds in Nineteenth-Century Art, Leuven, University of Leuven Press, 2022
FORTHCOMING
'French Pleinairism and James Ensor in the 1880s', in Herwig Todts, ed., In Your Wildest Dreams. Ensor Beyond Impressionism, exhibition catalogue, KMSKA, Antwerp, September 2024
IN PRINT
'Impressionism: Colour and Light', in Marja Sakari and Anna-Maria von Bonsdorff, Colour and Light: The Legacy of Impressionism, exhibition catalogue, Ateneum Art Museum, Finnish National Gallery, Helsinki, October 2023, 12-45
‘Degas and the Matter of Contagion: Dirt, Skin, Touch and the Cosmetic Arts’, appears in David Hopkins and Disa Persson (eds.), Contagion, Hygiene and the European Avant Garde, London and New York, Routledge Academic, July 2023, chapter 2
‘The Manly Water Arts: Hygiene, Vitality and Virility at the fin de siècle’, was published in Fae Brauer (ed.), Vitalist Modernism: Art, Science, Energy and Creative Evolution, London and New York, Routledge Academic, 2023, chapter 1
'Dressing the Part: Male bonding "on the motif" in nineteenth-century France', appeared in Thijs Dekeukeleire, Henk de Smaele & Marjan Sterckx (eds.), Male Bonds in Nineteenth-Century Art, Leuven, University of Leuven Press, 2022, Part IV, chapter 10. ISBN 9789462702813
'Degas: Digging the Dirt', in Adriano Pedrosa and Fernando Oliva (eds.), Degas: Dance, Politics, Society, exhibition catalogue, Museo de Arte de São Paulo Assis Chateaubriand (MASP), São Paulo, Brazil and DelMonico Books/D.A.P., New York, NY, 2021, ISBN 978-65-5777-005-4
'Considérations techniques : le matériel des peintres de plein air au xixe siècle', was commissioned by Marina Ferretti Bocquillon (curator/ed.), for the exhibition catalogue, Plein Air : De Corot a Monet, Musée des Impressionnistes Giverny, and Gallimard, 2020, 25-33.
'The Modern Venus: Goddess or Whore', in Myrto Hatzaki, The Venus Paradox, exhibition catalogue, A G Leventis Gallery, Nicosia, 2017, pp.95-102
'The Female Spectator of Modern Art and the Spectacle of Medicalized Femininity’, in Kathryn Brown (ed.), Perspectives on Degas, London, Routledge/Ashgate, 2016
'Taking Shape: Monet's Compositional Techniques', in George Shackelford (ed.), Monet: The Early Years, Fort Worth, Texas, Kimbell Art Museum, 2016
‘Impressionism and the Origins of Plein Air Oil Painting’, in Junko Ninagawa (ed.), The Impulse for Oil Painting, Osaka, 2015 (in Japanese)
‘The Matter of Painting : La Matière de la peinture’, in: Histoire de l'art du XIXe siècle (1848-1914): bilans et perspectives, Actes des Colloques, Paris, Musée d’Orsay, 2011
2010 - 'Hors d'oeuvre: Edges, boundaries and marginality with particular reference to Seurat's early drawings', in Paul Smith (ed.), Seurat Re-viewed, Penn State Press
2008 - 'Man or machine: Ideals of the labouring male body and the aesthetics of industrial production in early twentieth-century Europe’, in Fae Brauer and Anthea Callen (eds.), Art, Sex and Eugenics: Corpus Delecti, Ashgate Publishing Group, Aldershot & London, 2008
2006 - ‘L’Art, l’anatomie et la construction du corps idéal masculin’, in Gilles Boëtsch, Nicole Chapuis-Lucciani and Dominique Chevé (eds.), Représentations de corps : Le biologique et le vécu, normes et normalité, Presses Universitaires de Nancy, Nancy, 113-124.
2003 - ‘De kleur van het impressiomisme [The colour of Impressionism]’, in Miracle de la Couleur: impressionisme en post-Impressionisme, Kunsthal, Rotterdam, 57-80.
2002 - 'Ideal Masculinities: The Case of Albinus', in N Mirzoeff (ed.), The Visual Culture Reader (revised edition), Routledge, London and New York
2002 - ‘Maskulina ideal om maktens anatomi’, in Anna Lena Lindberg (ed.), Den maskulina mystiken, Lund, Sweden, 33-51
2000 - 'Technique and Gender: Landscape, Ideology and the Art of Monet's Series Paintings', in Anna Gruetzner Robins and Steven Adams (eds.), Gendering Landscape Art, Manchester University Press, 26-44
'French Pleinairism and James Ensor in the 1880s', in Herwig Todts, ed., In Your Wildest Dreams. Ensor Beyond Impressionism, exhibition catalogue, KMSKA, Antwerp, September 2024
IN PRINT
'Impressionism: Colour and Light', in Marja Sakari and Anna-Maria von Bonsdorff, Colour and Light: The Legacy of Impressionism, exhibition catalogue, Ateneum Art Museum, Finnish National Gallery, Helsinki, October 2023, 12-45
‘Degas and the Matter of Contagion: Dirt, Skin, Touch and the Cosmetic Arts’, appears in David Hopkins and Disa Persson (eds.), Contagion, Hygiene and the European Avant Garde, London and New York, Routledge Academic, July 2023, chapter 2
‘The Manly Water Arts: Hygiene, Vitality and Virility at the fin de siècle’, was published in Fae Brauer (ed.), Vitalist Modernism: Art, Science, Energy and Creative Evolution, London and New York, Routledge Academic, 2023, chapter 1
'Dressing the Part: Male bonding "on the motif" in nineteenth-century France', appeared in Thijs Dekeukeleire, Henk de Smaele & Marjan Sterckx (eds.), Male Bonds in Nineteenth-Century Art, Leuven, University of Leuven Press, 2022, Part IV, chapter 10. ISBN 9789462702813
'Degas: Digging the Dirt', in Adriano Pedrosa and Fernando Oliva (eds.), Degas: Dance, Politics, Society, exhibition catalogue, Museo de Arte de São Paulo Assis Chateaubriand (MASP), São Paulo, Brazil and DelMonico Books/D.A.P., New York, NY, 2021, ISBN 978-65-5777-005-4
'Considérations techniques : le matériel des peintres de plein air au xixe siècle', was commissioned by Marina Ferretti Bocquillon (curator/ed.), for the exhibition catalogue, Plein Air : De Corot a Monet, Musée des Impressionnistes Giverny, and Gallimard, 2020, 25-33.
'The Modern Venus: Goddess or Whore', in Myrto Hatzaki, The Venus Paradox, exhibition catalogue, A G Leventis Gallery, Nicosia, 2017, pp.95-102
'The Female Spectator of Modern Art and the Spectacle of Medicalized Femininity’, in Kathryn Brown (ed.), Perspectives on Degas, London, Routledge/Ashgate, 2016
'Taking Shape: Monet's Compositional Techniques', in George Shackelford (ed.), Monet: The Early Years, Fort Worth, Texas, Kimbell Art Museum, 2016
‘Impressionism and the Origins of Plein Air Oil Painting’, in Junko Ninagawa (ed.), The Impulse for Oil Painting, Osaka, 2015 (in Japanese)
‘The Matter of Painting : La Matière de la peinture’, in: Histoire de l'art du XIXe siècle (1848-1914): bilans et perspectives, Actes des Colloques, Paris, Musée d’Orsay, 2011
2010 - 'Hors d'oeuvre: Edges, boundaries and marginality with particular reference to Seurat's early drawings', in Paul Smith (ed.), Seurat Re-viewed, Penn State Press
2008 - 'Man or machine: Ideals of the labouring male body and the aesthetics of industrial production in early twentieth-century Europe’, in Fae Brauer and Anthea Callen (eds.), Art, Sex and Eugenics: Corpus Delecti, Ashgate Publishing Group, Aldershot & London, 2008
2006 - ‘L’Art, l’anatomie et la construction du corps idéal masculin’, in Gilles Boëtsch, Nicole Chapuis-Lucciani and Dominique Chevé (eds.), Représentations de corps : Le biologique et le vécu, normes et normalité, Presses Universitaires de Nancy, Nancy, 113-124.
2003 - ‘De kleur van het impressiomisme [The colour of Impressionism]’, in Miracle de la Couleur: impressionisme en post-Impressionisme, Kunsthal, Rotterdam, 57-80.
2002 - 'Ideal Masculinities: The Case of Albinus', in N Mirzoeff (ed.), The Visual Culture Reader (revised edition), Routledge, London and New York
2002 - ‘Maskulina ideal om maktens anatomi’, in Anna Lena Lindberg (ed.), Den maskulina mystiken, Lund, Sweden, 33-51
2000 - 'Technique and Gender: Landscape, Ideology and the Art of Monet's Series Paintings', in Anna Gruetzner Robins and Steven Adams (eds.), Gendering Landscape Art, Manchester University Press, 26-44